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Compositions
Choir, Orchestra
Tape Music, Radio Play
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Transcriptions, Arrangements
Alto
Song-cycle 1 text: Gisela Dreher-Richels, Rose Pflock
Für Klaus Martin Ziegler und Mechthild Seitz text: Gerhard Wolfstieg
Song-cycle 2 alto and flute; text: Gisela Dreher-Richels, Rose Pflock
Song-cycle 3 alto and organ; text: Omar Chajjam
An Hildegard von Bingen miniatures for alto and organ; text: H.v.B.
Chaconne bleu quintet for english horn, alto, flute, viola and violoncello; text: Gerhard Wolfstieg
Recorder
Zwischenspiel (Interludium) duo for soprano recorder and alto recorder
Clarinet
reitzt trio for flute, clarinet and piano
Quintet 3 flute, clarinet, soprano, violoncello and percussion
English Horn
Chaconne bleu quintet for english horn, alto, flute, viola and violoncello; text: Gerhard Wolfstieg
Flute
Song-cycle 2 alto and flute; text: Gisela Dreher-Richels, Rose Pflock
Trio 1 flute, violoncello and piano
Trio 2 transcription for guitar, flute and violoncello
reitzt trio for flute, clarinet and piano
Chaconne bleu quintet for english horn, alto, flute, viola and violoncello; text: Gerhard Wolfstieg
Quintet 2 flute, oboe, viola, violoncello and guitar
Quintet 3 flute, clarinet, soprano, violoncello and percussion; text: Gerhard Wolfstieg
Guitar, six and ten strings
Nein (No) ten string guitar
jenseits des Tages: abend – rot (beyond of the day: sun/set)
jenseits des Tages (beyond of the day) six and ten string guitar – alternating
Makro amplified guitar and percussion
celgit mobb violoncello and guitar
Trio 2 guitar, viola and violoncello
Trio 2 transcription for guitar, flute and violoncello
Quintet 2 flute, oboe, viola, violoncello and guitar
Oboe
Quintet 2 flute, oboe, viola, violoncello and guitar
Organ
No. 1
Song-cycle 3 alto and organ; text: Omar Chajjam
An Hildegard von Bingen miniatures for alto and organ; text: H.v.B.
Percussion
Makro amplified guitar and percussion
Quintet 3 flute, clarinet, soprano, violoncello and percussion; text: Gerhard Wolfstieg
Piano
Four Pieces
Two Short Pieces
Erkundung (Exploration)
Synthesen
Für Sabine Suite
Karrieren low to middle voice and piano; text: Kurt Tucholsky
Danach (Afterwards) low to middle voice and piano; text: Kurt Tucholsky
Musical comment on poems of Peter Paul Althaus speaker and piano
Variationen violin and piano
… noch (... still) soprano and piano; text: Rose Pflock
Duo violin and piano
Trio 1 flute, violoncello and piano
reitzt trio for flute, clarinet and piano
Soprano
… noch (… still) soprano and piano; text: Rose Pflock
Quintet 3 flute, clarinet, soprano, violoncello and percussion; text: Gerhard Wolfstieg
Speaker
Musical comment on poems of Peter Paul Althaus speaker and piano
Viola
Trio 2 guitar, viola and violoncello
Chaconne bleu quintet for english horn, alto, flute, viola and violoncello; text: Gerhard Wolfstieg
Quintet 2 flute, oboe, viola, violoncello and guitar
Violin
Variationen violin and piano
Duo violin and piano
Violoncello
Aphorismen for violoncello playable scores as graphic; limited edition
celgit mobb violoncello and guitar
Trio 1 flute, violoncello and piano
Trio 2 guitar, viola and violoncello
Trio 2 transcription for guitar, flute and violoncello
Chaconne bleu quintet for english horn, alto, flute, viola and violoncello; text: Gerhard Wolfstieg
Quintet 2 flute, oboe, viola, violoncello and guitar
Quintet 3 flute, clarinet, soprano, violoncello and percussion; text: Gerhard Wolfstieg
Ebene und Höhenzug (plain and mountain range) twelve violoncelli
Kantate solo violoncello, choir (s,s,a,t,b) and orchestra
Voice, low to mid range
Karrieren low to mid voice and piano; text: Kurt Tucholsky
Danach (Afterwards) low to mid voice and piano; text: Kurt Tucholsky
Choir, Orchestra
Geburt (Birth) perpetuum mobile for string orchestra
Invention choir (s,a/t,b)
wortlos (wordless) twelve part (solistic) choir
Cantata solo violoncello, choir (s,s,a,t,b) and orchestra
Nachtlied cantata for choir, choir 2, synthesizer and realtime processing
Tape Music, Radio Play
Versuch(ung) ((at-)tempt(-ation))
Versuch 2 (trial 2)
Versuch 3 (trial 3)
diosmose radio play
Collage
Diagramme mI
Wortwörter short radio play
monocrom
Ersuchung (requestation)
Multimediale Art, Musical Play
i.m..burg musical graphic
Transparente performance for two players with portable instruments
jenseits des Tages (beyond of the day) musical play with six and ten string guitar
Aphorismen für Violoncello playable scores as graphic; limited edition
Rock
Antagonia
Just for Fun
Märchen (fairy tale)
Transcriptions, Arrangements
Ach, Herr, strafe mich nicht! Motette of Max Reger; op 110,2 (1916): choir and orchestra
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1 Four Pieces for Piano 1976-1978
1. Study from a rockjazz group; ca. 3'
2. Chaconne, free style adaption; ca. 6'
3. Miniature; ca. 45''
4. Modal Study; ca. 1'15''
2 Invention 1979
for choir (s,a/t,b); ca. 4'
3 Karrieren 1980
for low to mid voice and piano; ca. 80''
text: Kurt Tucholsky
4 Geburt 1981
perpetuum mobile for string orchestra; ca 15'
5 Danach (Afterwards) 1981
for low to mid voice and piano; ca. 2'
text: Kurt Tucholsky
6 Two Short Pieces for Piano 1982
1. ca. 48''
2. ca. 1' 40''
7 Interludium 1982
duo for recorder in c' and f; ca. 1' 25''
8 Chaconne bleu 1983
quintet for english horn, alto, flute, viola and violoncello; ca 9' 40''
UA: 1984; Karlsruhe, Sendesaal des SDR; Matthias Rabe, Mechthild Seitz, Peter Stöhr, Anneli Nestle, Nikolaus Indlekofer; conducted by Gregor Raquet
text: Gerhard Wolfstieg
9 Musical Comment on Poems of Peter Paul Althaus 1983
for speaker and piano; ca. 8' 50''
UA: 1984; Karlsruhe, Sendesaal des SDR; Sigrid Blumtritt, Gerhard Wolfstieg
10 Variations 1983
for violin and piano; ca. 19' 50''
11 Song-Cycle for Alto Solo 1984
ca. 7'
UA: 1984; Karlsruhe, Sendesaal des SDR; Mechthild Seitz
text: Rose Pflock, Gisela Dreher-Richels
12 Quintet II 1984
for flute, Oboe, viola, violoncello and guitar; ca 6' 50''
UA: 1984; Salzburg, Studio des ORF; Österreichisches Ensemble für Neue Musik: Vivian Haisty, Jean Paul Hansen, Boguslawa Hubisz, Claudia Gabrielli, Gunter Schneider; conducted by Klaus Ager
13 Song-cycle for Alto and Flute 1985
ca. 15' 50''
UA: 1985; Karlsruhe, Konzerthaus; Mechthild Seitz, Peter Stöhr
text: Rose Pflock, Gisela Dreher-Richels
14 Erkundung (Exploration) 1986
for piano; ca 7' 30''
UA: 1989; MultiMediale of the ZKM Karlsruhe, Festhalle Durlach; Reinhard Kolberg
15 Ebene und Höhenzug 1986
for twelve violoncelli; ca 12'
UA: 1986; Bad Bergzabern, Haus des Gastes; Cellisten der Klasse Martin Ostertag, conducted by Nikolaus Indlekofer
16 Trio I 1986
for flute, violoncello and piano; ca 14'
UA: 1986; Karlsruhe, Rathaussaal Durlach; Peter Stöhr, Hans-Joachim Böhm, Lothar Arnold
17 Makro 1987
for amplified guitar and percussion; ca 14' 30''
18 Trio II 1987
for guitar, viola and violoncello; ca. 8'
transcription for guitar, flute and violoncello; 2001
UA: 2003; Esslingen, Münster Sankt Paul; ensemble gelberklang and guests: Ulrich Warnecke, Albrecht Imbescheid, Scott Roller
19 Nr. 1 1988
for organ; ca. 6'
20 Kantate 1989
Cantata for solo violoncello, choir (S,S,A,T,B) and orchestra; ca. 26'
UA: 1990; Karlsruhe, Konzerthaus; Alexander Hülshoff, Kammerchor der Universität Karlsruhe,
Kammerorchester an der Universität Karlsruhe; conductor: Nikolaus Indlekofer; visual design: E. Brandenburg, O. Dolich und W. Zinser
text: Gerhard Wolfstieg
21 Song-Cycle for Alto and Organ 1989
ca. 35'
text: Omar Chajjam; translation Cyrus Atabay
22 Celgit mobb 1989
for guitar and violoncello; ca. 5' 40''
UA: 2003; Berlin, Konzerthaus; Iwan Tanzil, Regine Zimmermann
23 Quintet III 1989
for flute, clarinet, soprano, violoncello and percussion; ca. 12'
UA: 1989; Waiblingen, Bürgerzentrum; Rosemary Polat, Willi Ehrlich, Beate Ludwig, Rainer Balbach, Peter Lampel
text: Gerhard Wolfstieg
24 An Hildegard von Bingen 1990
miniatures for alto and organ; in toto ca. 23'
UA: 1990; Kassel, Martinskirche; Mechthild Seitz, Klaus Martin Ziegler
text: Hildegard von Bingen; translations: Gerhard Wolfstieg
25 Nein 1992
ten string guitar; ca. 13'
UA: 1992; Waiblingen, Bürgerzentrum; Michael Prüß
26 ... noch (... still) 1992
for soprano and piano; ca. 7'
text: Rose Pflock
27 Duo 1993
for violin and piano; ca. 1' 20''
28 Für Klaus Martin Ziegler und Mechthild Seitz 1993
for alto; 2'
UA: 1994; Kassel, Martinskirche; Mechthild Seitz
29 jenseits des Tages (beyond of the day) 1995
ca. 14'
a) jenseits des Tages: abend-rot (beyond of the day: sun/set) for guitar
b) performance with six and ten string guitar
UA: 1995; Waiblingen, Bürgerzentrum; Michael Prüß
30 reitzt 1995
trio for flute, clarinet and piano; ca. 1'
31 wortlos 1996
for twelve part (solistic) choir; ca. 7'
text: Gerhard Wolfstieg
32 Synthesen 2002
for piano
1. Modulation; about 2' 0"
2. Symbiose; about 3' 40"
3. Teilung, Fügung; about 2' 7"
33 Nachtlied 2003
Cantata for choir, choir 2, synthesizer und realtime processing; about 23'
UA: 2004; Karlsruhe, Schloßgarten; Kammerchor der Universität Karlsruhe,
synthesizer and real time processing: Jürgen Reuter, conductor: Nikolaus Indlekofer
text:
- Schauplatz (Locale) Regine Kress-Fricke
- "Beata es virgo Maria ...", Antiphon
- "Der Schatten, des Mondes ..." ("The Shade, of the Moon") Gerhard Wolfstieg
34 Für Sabine 2007
Suite for piano; 14'30" - 15'
1. Promenade; ca. 1'10"
2. Intermezzo; ca. 1'39"
3. Rumba; ca. 1'10"
4. Tango; ca. 2'28"
5. Walzer; ca. 1'34"
6. Rondo; ca. 4'37"
7. Ouvertüre; ca. 2'6"
CE1 Versuch(ung) 1985
realisation in the Studio für elektronische Musik der Universität Karlsruhe; 22' 17''
UA: 1985; Karlsruhe, Stephanssaal
CE2 Versuch 2 Trial 2 1992
realisation in the ZKM Karlsruhe; 6' 49"
CE3 Versuch 3 Trial 3 1992
realisation in the ZKM Karlsruhe; 5' 26''
CE4 diosmose 1994
cooperation with Thomas Schulz
realisation in the ZKM Karlsruhe und im Studio Gerhard Wolfstieg; 54'
Ursendung: SFB 1995
CE5 Collage 2001
realisation in the Studio Gerhard Wolfstieg; 12' 56''
CE6 Diagramme "mI" 2001
realisation in the Studio Gerhard Wolfstieg; 12' 56''
1. konzentrisch; 80''
2. RE; 1'18''
3. Glissandi; 1'52''
4. Zeichnung (Drawing); 6'18
CE7 Wortwörter 2001
short radioplay; realisation in the Studio Gerhard Wolfstieg; 12' 31"
speaker: Regine Kress-Fricke
Schrei(b)maschine: Gerhard Wolfstieg
text: Regine Kress-Fricke
CE8 monocrom 2002
realisation in the Studio Gerhard Wolfstieg; 4' 35"
Schrei(b)maschine: Gerhard Wolfstieg
CE9 Ersuchung Requestation 2004
realisation in the Studio Gerhard Wolfstieg; 5' 53"
MM1 ... mit Folie 1987
performance for overhead projector, synthesizer and autostart computer application 8' 50''
installation: 1987; Heidelberg, Neuklinikum; acoustic component to an object of Wolfgang Weber
UA as performance: 1991; Ettlingen, Schloß
MM2 i.m..burg 1988
Musikalische Grafik
MM3 Transparente 1988
performance for two players of movable instruments;
UA: 1993; Waiblingen, Bürgerzentrum; Renate Paland, Michael Prüß
MM4 IOOI 1991
cooperation with Frank Schweizer
installation with displays, two computers, sound sources, distributed microphones and "AI"-software
UA "concertant": 1991; Weingarten, Fränkischer Hof
installation: 1991; ZKM Karlsruhe, MultiMediale 2
MM5 Aphorismen für Violoncello since 1999
playable scores as graphic; limited and signed edition, 200 per sheet
MM6 Schrei(b)maschine initial performance: 2001, Karlsruhe
synthesizer with alphanumeric keyboard and selectable "situations"
RB1 Antagonia 1972
piano arrangement
BA1 Ach, Herr, strafe mich nicht! 1987
Motette of Max Reger, op. 110,2: adapted for choir and orchstra
UA: 1987; Kasseler Musiktage, Martinskirche; conductor: Klaus Martin Ziegler
Messages via art@wolfstieg.com
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